report ON GAGED SYBIOTIC INFLUENCES...FOR PROXYCYBER 12/30/14
THERE IS AN ABRUPT CHANGE IN STYLE REGUARDING NOT PLOTLINE BUR CAMERA FOCUS,CONCERNING FILM GRAIN /FILM STOCK(?) ACCENTUATED DEFINITION, CLARITY THAT DOES NOT 'SEEM'ARBITRARY AT APPROXIAMATELY ONE HOUR AND 34 MINUTES ONE ALSO BECOMES AWARE THAT PRESUMABLY A DIFFERENT CAMERAMAN [AND CAMERA(?) INTRODUCES THE AUDIENCE TO AN ENTIRELY DIFFERENT POINT OF VIEW MORE SOPHISTICATED IN IT'S INTENT
- ONE HOUR33 MINUTES THE MORE 'ARTISTIC"STANCE ON SITUATIONALS ,APPARENT IN THE PRONOUNCED ALTERATIONS CONCERNING FILM STOCK/FILM STYLE OCCURS SIMULATANEUOUSLY CONCERNING
LANGE'Skimmie baker'sAFFIATIONS...THE CHARACTER SHE PLAYS HAS BEEN OFFERED ENTRY INTO THE MOTION PICTURE INDUSTRY.LANGE'S CHARACTER ENTICES CO -STAR PLAYED BYJEFF BRIDGESadam parkerTO ALSO SWITCH ALLIANCE'S ...FROM 'THEM' TO'US'
- BRIDGE'S NOTING THE CHANGE(IN TANDEM WITH A NEW ALTERATION OF DEPTH PERCEPTION/POINT OF VIEW OF CAMERA/FILM GRAIN
JEFF BRIDGE'S adam parkerREMAKERs THATLANGEBAKER---IS 'SHINING'.WE ,THE AUDIENCE SOON FIND OUT WHYLANGEkimmie bakerIS 'SHINING' AS SHE RENEWED BY DETERMINANT INFLUENCES - CONCERNING CORPERATE RATHER THAN CIVIC CONCERNS
- AT 1 HR AND 34/35 MINUTES THE CAMERA'S FOCUS REGAURDING LENS
- DEPTH PERCEPTION AND THUS STYLE RETURN TO 'NORMAL' BY NORMAL I REFER TO FLIM SYNTAX OF THE MID 1970'S(rather than FILM SYNTAX OF THE 1980's).THE CHANGE IN FILM STYLE IS JARRING,ALMOST AMATEURISH IN INTENT PERHAPS TO HIGHLIGHT INTENT OF THE PREVIOUS SCENE.THE SOUNDTRACK ALSO REVERTS TO JARRING 'FLOURISHES' OF GENERIC VIRTUOUSITY TO PERHAPS- ALSO- HELP THE PREVIOUS SCENE RESONATE LONGER FOR AUDIENCE CONCERNING 'THE HALLMARK" SCENE OF
LANGE'SKimmie Baker'sCHARACHTER 'TURNING' TOWARD OUTISDE AFFINITIES OF INFLUENCE BOTH FISCAL AND SELF FULFILLING(LANGE'SKimmie Baker's CHARACTER HAS BEEN PROMISED 'STARDOM' LANGEBaker WHO HAS SEDUCEDBRIDGE'S Adam parker WITH HER PHYSICAL CHARMS NEXT USES HER ATTRIBUTES TO PLACATE KONG'S LONGINGS AND DESIRES.KONG,WHO LANGE FOR RATHER OBVIOUS REASONSLANGEbaker -- PREVIOUSLY HAS SHOWN NOTHING BUT REPULSION FOR IS NOW A NEGOTIONABLE 'ASSET'LANGEBaker TURNS ON HER CHARM ,WHEN KONG 'ACTS UP'TELLING 'THE BEAST'HE IS ONE OF THEM NOW.HER TONE AND VISAGE TO KONG IS NOW ALL SMILES ..PREVIOUS IN THE ONE HOUR AND HALFLANGEHAS DISPLAYED NO INTEREST IN KONG'S NEEDS NOR WANTS...LANGEBAKER-FEIGNS A LIFE OR LIMB HIGHWIREACT TO INSINUATE TO 'THE BEAST'WHO NOW SERVES 'A PURPOSE' AS ONE OF 'THE TEAM'TO CEMENT 'A DEAL' WITH KONG A "DEAL"OF UNSPOKEN INTIMACY- THE OILTANKER NOTED ACTION TAKES PLACE UPON NEXT SAILS INTO NEW YORK'S HARBOR.THE SKYLINE ALIT WITH FIREWORKS..NEXT A SHORT SCENE (1 HR 43 MINUTES INTO THE FILM) OF A MARCHING BAND- BANNERS.LOGOS ETC..ABOUT THE BAND ITSELF ALL WEAR THIS LOGO PETROX OIL CORPERATION-THE UNITED STATES OF AMERICA
- ONE HOUR 53 MINUTES-'ON THE RUN' FROM KONG WHO HAS CAUSED CONSIDERABLE DAMAGE TO PERSONS AND PROPERTY...ALL LANGE WANTS IS "A DRINK" ...ALTHOUGH THERE IS NO SUSPICIOUS ACTIVITY CONCERNING FILM STOCK ETC....THE ODD SELF SATISYING BEHAVIOR OF
LANGEBaker IS JARRING - THIS TIME NOT REGARDING TECHNICAL MANIPULATION OF SCENE SETTING NOR FILM SYNTAX...BUT A 'CELEBRATION' OF A 'WHO GIVES A DAMN THAT THE 'WORLD' IS CRUMBLING LET US 'DRINK TO IT'( ANOTHER FORESIGHTED 'FLASHFORWARD' TO THE STYLE OF 'THE TIMES'FROM ANOTHER ERA THE 1980's?)
JEFF BRIDGESadam parker IS APPROPRIATELY STUNNED BYLANGE'S kimmie baker'sCAPRICIOUS BEHAVIOR BUT CAUGHT HER LURE HE NOTHELESS JOINS HER IN THE BAR..DESERTED...FOR OBVIOUS REASONS- IN THE BAR LANGE SPEAKS THE 'LANGUAGE OF LOVE'TO BRIDGES..NOT A WORD ABOUT KONG AND THE RUMBLE AND TUMBLE AROUND HER,,WHEN THE LIGHTS DIM ,FLICKER..
LANGEBakerREMARKS THAT DURING A SIMLAR BLACK OUT 9 MONTHS AFTER SAID BLACK OUT MANY ,MANY BABIES WERE BORN...INSINUATING "OUT OF DARKNESS COMES LIGHT?'
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