Stanislavski's system is a progression of techniques used to train actors and actresses to draw believable emotions to their performances. One function of Monarch programming ,consisting of Ritualized Abuse was to "prep" a future actor to have access to a myriad of core deficits that would enable the actor to for instance "cry on cue" The OSS realizing how important it was for an "agent" to "play the part" of one unaligned with any definable "tell" or "Source Code "required a system be set in place to purposely create children and thus adults who could "mask" their subtext.
Stanislavski was one of the first to codify a system of acting but the United States was the first to pervert a child's childhood ,the first to intentional "stage manage" a child's upbringing so the child ,soon to be adult could with out "giving themselves away" (nor the purposes of "whatever message was in "their act") Hence it was ,it was decided that the only way to create the necessary link to "altered states of presence ' would be to instigate psychological schisms via psychological and physical abuses to be visited upon prospective actors. In the early 1930's ,the USA noting how radio and cinema influenced the German people and more .And thus many "Social Scientists' interested in Human Experience via Human Experimentation were invited to America (rather than be hanged outside of Nuremburg) to help the OSS now the C.I.A. continue their data collection concerning Psychological Threshold to analyze the qualities of human behavior under duress and the CUES that might "bring the subject(the actor) BACK to the experience -so they might "Visage" the emotion on screen in the most effective and least affect-ed manner possible..so the movie goer(and subsequent TV watcher ) could best integrate the actions (and perceived projected FEELINGS ,BELIEFS etc( of their "electronic counterpart) upon and into their "sense of identity both personally and nationalistically.
In order to guarantee a perspective child assumed by the generic propensity of a "genetic union" of parents with both physical attributes and also a certain 'charismatic" narcissism (that when "acted out " came across on screen as the antithesis of such) often before the child was even conceived a "playbook/recipe"book was issued to those "who owed the country" a representation" or demonstrations of valid human behavior,. Often ritualized abuse, deliberate "hazing" of the "man or woman whose "predestination " would be "-to act" was severe and horrific. The parents of the actor ,often too 'sentimental" to perform certain "acts" were helped by "cabals" of "stagehands" willing to "do whatever was necessary to instigate certain alterations of the amygdala(the lizard brain) which could only be triggered by"fight or flight," response
.Often parents of potential"child stars "were asked to make "small sacrifices "for their child and family for promised rewards of both money and "duty" .The parents of those groomed to be actors were assured that the "trauma" that needed to be instilled upon their child was scientific in merit- as falsity of intention ,especially on a large screen and perhaps even more so upon a "tiny box,televison .Often the parent's of "stars" were charmed and complimented ,reminded their offspring were pre- selected due to the parent's genetic innate charisma and physical qualities of beauty ,which would be wasted IF they did not purposely engineer the requisite impetuous for emotional memory that the future performer would need to trigger the visage of telegenic emotions the actor could only portray realistically - if these emotional traumas were imbued ion subject beforehand..
Eventually the parents would be told the ready made" actor/performer" would be taught to re- experiences these internalized feelings with physical actions necessary to project "their currency" through facial expression and comportment of self/selves..
Stanislavski was one of the first to codify a system of acting but the United States was the first to pervert a child's childhood ,the first to intentional "stage manage" a child's upbringing so the child ,soon to be adult could with out "giving themselves away" (nor the purposes of "whatever message was in "their act") Hence it was ,it was decided that the only way to create the necessary link to "altered states of presence ' would be to instigate psychological schisms via psychological and physical abuses to be visited upon prospective actors. In the early 1930's ,the USA noting how radio and cinema influenced the German people and more .And thus many "Social Scientists' interested in Human Experience via Human Experimentation were invited to America (rather than be hanged outside of Nuremburg) to help the OSS now the C.I.A. continue their data collection concerning Psychological Threshold to analyze the qualities of human behavior under duress and the CUES that might "bring the subject(the actor) BACK to the experience -so they might "Visage" the emotion on screen in the most effective and least affect-ed manner possible..so the movie goer(and subsequent TV watcher ) could best integrate the actions (and perceived projected FEELINGS ,BELIEFS etc( of their "electronic counterpart) upon and into their "sense of identity both personally and nationalistically.
In order to guarantee a perspective child assumed by the generic propensity of a "genetic union" of parents with both physical attributes and also a certain 'charismatic" narcissism (that when "acted out " came across on screen as the antithesis of such) often before the child was even conceived a "playbook/recipe"book was issued to those "who owed the country" a representation" or demonstrations of valid human behavior,. Often ritualized abuse, deliberate "hazing" of the "man or woman whose "predestination " would be "-to act" was severe and horrific. The parents of the actor ,often too 'sentimental" to perform certain "acts" were helped by "cabals" of "stagehands" willing to "do whatever was necessary to instigate certain alterations of the amygdala(the lizard brain) which could only be triggered by"fight or flight," response
.Often parents of potential"child stars "were asked to make "small sacrifices "for their child and family for promised rewards of both money and "duty" .The parents of those groomed to be actors were assured that the "trauma" that needed to be instilled upon their child was scientific in merit- as falsity of intention ,especially on a large screen and perhaps even more so upon a "tiny box,televison .Often the parent's of "stars" were charmed and complimented ,reminded their offspring were pre- selected due to the parent's genetic innate charisma and physical qualities of beauty ,which would be wasted IF they did not purposely engineer the requisite impetuous for emotional memory that the future performer would need to trigger the visage of telegenic emotions the actor could only portray realistically - if these emotional traumas were imbued ion subject beforehand..
Eventually the parents would be told the ready made" actor/performer" would be taught to re- experiences these internalized feelings with physical actions necessary to project "their currency" through facial expression and comportment of self/selves..
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