Sunday, December 31, 2023
Sunday, December 16, 2018
Clothes Swap App ( Batman Fandom )
Clothes Swap begins with Dick Grayson being disfigured by Bloom with Bandwidth for pocketing some of his escort money.
Not being able to work any longer in the sex trade Grayson decides to sell his clothes and "reimagine " himself as a take on Jimmy Olsen.
Unable to sell his "hipster/ hypster"wardrobe Grayson gets the idea to create an App and next a Site that 'Flip Fucks" entire wardrobes based on sizes , style etc.
When 'Flip Fuck' takes off and Grayson is asked to sell the concept Bloom intervenes claiming he "grok-ed " the concept upon Grayson's mind.
Wednesday, December 12, 2018
I propose a method of active consciousness reproducibility with methods of self report
Footloose (Remastered) - Kenny Loggins | DJ Trip
There is growing evidence that couples in non-traditional relationships in which the woman attains higher status than her male partner experience more negative relationship outcomes than traditional couples.
A possible reason is that non-traditional couples violate persisting gender stereotypes that prescribe men to be breadwinners and women to be caregivers of the family.
Beginning in the 1980s, illustrators (largely male) began depicting superheroes, both male and female, with exaggerated sexual characteristics. Males, for example, were often drawn as having muscular, thick necks with comparatively smaller heads. Females were given long legs and large breasts and were often scantily clad to show off these characteristics (Robbins, 2002). As McGrath (2007) pointed out, superheroes were also given form-fitting outfits that accentuate the body. Perhaps part of this can be explained by looking at those who create the comics. Men continue to be responsible for comics (e.g., writers, artists, editors) and continue to outnumber women as characters. There are, however, beginning to be female comic writers who challenge and push against these norms by using their own stories and art to move in from the margins (Allison, 2014). It is also important to note a lack of scholarship in this area. Stabile (2009), for example, argued that many comic superheroes include overt sexism. Aside from this, few scholars have examined the relationships between gender in comic characters and power, sexuality, and so forth (Austin, 2015).




